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James L Hayes contact profile selected work site-specific work archive contact info@jameslhayes.ie | facebook | instagram | publicart.ie | mart profile ⇢≣ James L Hayes is an Irish contemporary visual artist whose current work and research practice reinvests a modernist sculptural language. Recent projects use methods of artistic production as a means by which to interrogate the boundaries between artist, artisan and art object in order to draw out the often-incongruous relationships between finished art objects, and the industrial aspects of the processes that produce these revered objects. This research-based practice has an art historical agenda, referencing key creative influences

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            <div class="ptile">James L Hayes is an Irish contemporary visual artist whose current work and research practice reinvests a modernist sculptural language. Recent projects use methods of artistic production as a means by which to interrogate the boundaries between artist, artisan and art object in order to draw out the often-incongruous relationships between finished art objects, and the industrial aspects of the processes that produce these revered objects. <br><br>
This research-based practice has an art historical agenda, referencing key creative influences such as the celebrated Welsh artist Barry Flanagan.<br> <br>
Broader research interests range from contemporary interpretations of sculptural legacies, to site-specific interventionist works that draw from traces of significant pasts and histories. <br><br>
Previous works have drawn on diverse subjects such as industrial archaeology, other environmental concerns and social and economic conflicts. Hayes predominantly sculptural practice also encompasses multi- disciplinary and sensory-based sculptural installations. He exhibits his works nationally and internationally whilst also developing large-scale public art commissions and site-specific projects. <br><br>
He has been awarded numerous awards and grants to support his practice and he also invests heavily in the University educational sector and work across the UK & US higher education system frequently taking part in visiting lecturing series and international cross collegial projects and events. Hayes is a graduate of Limerick School of Art & Design, De Montfort University Leicester and the University of London. He is the principal lecturer in Sculpture at the Crawford College of Art in Cork, Ireland. </div></div>
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 <h5 style="margin-top: 0">Education & Qualifications</h5>

2001	Post-Graduate Certificate in Art & Design Education- Institute of Education-University of London, UK &#9679;
1997 	Masters Degree in Fine Art- De Montfort University, Leicester, UK &#9679;
1995	Bachelors Degree in Fine Art –Sculpture-Limerick School of Art & Design, Ireland &#9679;
1994	National Diploma in Fine Art-Sculpture-Limerick School of Art & Design, Ireland &#9679;
1993	Erasmus Scholarship-University of Vigo, Galicia, Spain
				
											 
<h5>Exhibition Record 
(One Person Shows)</h5>
                  <a href="text/ANVP/ANVP_2016.html" style="border-bottom:1px solid #000000;" target="_blank">2016 A Near Visible Past, UNO St.Claude Gallery, New Orleans, Louisiana, USA</a> &#9679;
2014 	The Myler Fields, Nuns Island Theatre, Galway Arts Centre, Galway &#9679;
2012	The Essence of Taste, The West Cork Arts Centre, Cork &#9679;
2011	Dark lights continued… The Good Children Gallery, New Orleans, Louisiana, USA &#9679;
2010	Looking into the light of dark matters.. Droichead Arts Centre, Co.Louth  &#9679;
2009	In Memory of Hostile Encounters… Limerick Printmakers Gallery, Limerick &#9679;
2007:	West of no East, The James Barry Gallery, CIT Cork Institute of Technology, Cork &#9679;
2005	Spotlight Catmose Gallery, Oakham, UK &#9679;
2003	 Identity The Market House Gallery, Waterford &#9679;
2002	A Project - Limehouse Arts Foundation, Bromley-by-bow, London, UK
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<h5 style="margin-top: 0">Selected Works</h5>
2017 	  Activating Pangea : Destroy These Walls MART -Curated by Matthew Nevin & Ciara Scanlan , Arena 1 Gallery Santa Monica , LA, USA  &#9679;
2016	  Supermarket Art Fair Stockholm, Sweden, Represented by MART Gallery, Dublin &#9679;
2016	  HYBRID Ireland-Regional Cultural Centre, Donegal-Curated by Rian Kerrane  &#9679;
2014	  Translucent Flag-The MART Gallery, Rathmines, Dublin &#9679;
2014	  FLIP-Curated by Feargal Cunningham TACTIC Gallery, Cork &#9679;
2013	  ‘Curbyourcarriebradshawism’, MART Gallery, Dublin &#9679;
2012	  HYBRID- Redline Contemporary Denver, Colorado, USA &#9679;
2011:     	Invite or Reject- MART USA Tour- New York, Chicago & LA |
	Camden Fort Meagher Commission Series, Cork &#9679;
2010:       The Mart Instructional Tour, The Lewis Art Gallery, Jackson, Mississippi, USA |
The Mart Instructional European Tour-‘Entrée’, Bergen, Norway, ‘Shunt’, London, ‘Stadbad’, Berlin ‘Space’, The Molesworth Gallery, Dublin |
The Worcester Open- The Worcester Museum & Art Gallery, Worcester, UK |
The Eye-Kea Project-International Video Art Event-The Basement Project Space, Cork &#9679;
2009:	How do you Know?-Emerging Contemporary Irish Artists- Blankspace Gallery Oakland, San Francisco, California, USA |
	The International Conference on Contemporary Sculpture at Sloss Furnaces National Historic Landmark-Birmingham, Alabama, USA |
	Iron Tribe Invitational -Burris Hall Gallery -New Mexico Highlands University, Las Vegas, New Mexico, USA &#9679;
2008	Global Warming at the Icebox-Crane Arts Philadelphia & The ICEBOX, Philadelphia, USA-Curated by Adelina Vlas- Philadelphia Museum of Art |
	Iron Tribe Invitational - Demuirge Studios & Gallery, Denver | 
EV+A , Too Early For Vacation, Limerick, Ireland -Curated by Hou Hanrou – The San Francisco Art Institute
<h5>Commissioned Projects</h5>
2015	Office of Public Works & Cork County Council-Public Art Commission -Fermoy -Managed by the National Sculpture Factory &#9679;
2015 	The Arts Council of Northern Ireland-Building Peace Through the Arts Public Art Commission - Dundalk Institute of Technology (DKIT)  &#9679;
2014	Socially Engaged Art Commission Galway County Council, Athenry Galway &#9679;
2013	Sculpture Commission Mayo County Council, Brackloon, Westport, Mayo &#9679;
2012	Sculpture Commission Ardscoil Ris Limerick in association with Healy & Partner Architects  &#9679;
2010	Sculpture Commission Camden Fort Meagher by Cork County Council &#9679;
2010	Sculpture Commission at Aras Inis Gluiare (The Erris Arts Centre)-Mayo County Council &#9679;
2009	Sculpture Commission at Gurranabraher Churchfield Centre by Cork City Council	

							<h5>Recent Awards</h5>
2017	Travel & Training Award -The Arts Council of Ireland &#9679;
2015	Culture Ireland Funding Award -Centenary 2016 Program, I AM IRELAND &#9679;
2013	Travel & Training Award-The Irish Arts Council &#9679;
2012	Culture Ireland Funding Award &#9679;
2010	Culture Ireland Funding Award-Imagine Ireland  &#9679;
2010	CIT CCAD Research Grant Award &#9679;
2008	Travel & Training Award -The Arts Council of Ireland &#9679;
2007	Travel & Training Award -The Arts Council of Ireland &#9679;
2007	Individual Artist Bursary Award -Cork City Council &#9679;
2006	Travel Award -Cork City Council

Residencies
2015	The Irish Museum of Modern Art (IMMA) Residency in partnership with the National Sculpture Factory &#9679;
2013	Residency at Serde Artist Residency, Azipute, Latvia &#9679;
2007	Residency at Salem Art Works, New York, USA &#9679;
2004	Residency at Curwen Print Studio, Cambridgeshire, UK

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<h5 style="margin-top: 0">Bibliography</h5>
Recent Reviews /Articles
                  VAI Newsheet Issue 5 2016 &#9679; Enclave Review Issue 10 2016 &#9679; The Irish Arts Review Vol.33, 2016 &#9679;  VAI Newssheet Issue 1, 2016 &#9679; Irish Arts Review Vo.32. 2015 &#9679; <a href="text/VAI/VAI_2014.html" style="border-bottom:1px solid #000000;" target="_blank">VAI Newsheet Issue 1 2014</a> &#9679; VAI Newsheet Issue 3 2012 &#9679; Enclave Issue 6-2012 &#9679; The Irish Times –Gemma Tipton 09/09/11 &#9679; VAI Newsheet 01-11 &#9679; <a href="text/Enclave/Enclave_2010.html" style="border-bottom:1px solid #000000;" target="_blank">Enclave Issue 2 Autumn 2010 </a> &#9679; NSF FACT Nov.2010 &#9679; VAI Newsheet 6-10 &#9679; VAI Newsheet Isuue 5-10 &#9679; VAI Newsheet Isuue 4-10 &#9679; The Irish Examiner -16/12/09 &#9679; VAI Newsheet-Issue 1-10 &#9679; ISC Sculpture Magazine (ISC) No. 7 Sept. 09 &#9679; VAI Newsheet-Issue 6-09 &#9679; VAI Newsheet-Issue 3-09 &#9679; VAI Newsheet-Issue 2-09 &#9679; CIRCA-124-Summer 2008 &#9679; The Irish Times-Article -Aidan Dunne 19/03/08 &#9679; The Irish Examiner-Interview 05/2/08-Aileen Quinlan &#9679; The Irish Independent-09/01/08/ &#9679; The Evening Echo-Article 26/01/08/ &#9679; The Irish Examiner-Interview -10/01/08-Ailleen Quinlan (Spring 08) &#9679; The Sunday Times-Culture-23/03/08/ &#9679; The Evening Echo- Article -07/11/07  &#9679; Radio Interviews: RTE-Lyric FM –The Arts Show 06/03/09 &#9679; BBC Radio 1 NI –‘The Artsway Program’

<h5>Recent Catalogues</h5> 
HYBRID Catalogue-Redline Contemporary-2012 &#9679; The MART Catalogue-2012 &#9679; The Cork Literary Review 2011 –Dr.Ed Kcrema &#9679; Global Warming at The ICEBOX’-, Crane Arts Philadelphia text by Adelina Vlas &#9679; E.v.+a. 08- ‘Too early for vacation’-text by Hou Hanrou- Gandon Publications 2008 &#9679; Lincolnshire Artists Association-Annual Exhibition Catalogue-USHER Publications- 2004 &#9679; ‘Eyewash’/ Works selected from IMMA collection-Market Publications-2006 &#9679; ‘We Are International’- Isinglass Publications-1997  </div> 
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            <li><a href="#horizontal"><img src="img/cellar1.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Cellar</i>, single channel HD Digital Film 12.5 mins, edition1/3- 2016</p></div></li>
            <li><a href="#horizontal"><img src="img/cellar2.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Cellar</i>, single channel HD Digital Film 12.5 mins, edition1/3- 2016</p></div></li>
              
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          <div class="ptile" > <h3>the cellar | 2016</h3> This work draws from Hayes’s early career experiences working in a renowned London Fine Art foundry, which is revisited in this new film work from 2016.  This documentary style works that draw out the often incongruous relationships between finished art objects, and the industrial aspects of their storage and processes that produce these often revered art objects/sculptures. </div>  <div class="line" ><hr></div>
          <div class="ptile" >'Hayes' film Cellar explores a storage facility of renowned fine art foundry in London's East End. As the camera snakes through the bowels of a warehouse where casts are stored in serried ranks – split and crumbling husks in carnal shades; bone white, the fleshy pink of vinyl moulds, fibre glass shells the nicotine yellow of smoke stained teeth. In murky corners, strange bodily forms reveal themselves among less decipherable shapes - the top of a head, something that could be the leg of a horse, familiar names or fragments of celebrated sculptures by blue chip artists; (it seems a sly coincidence that the ceramic shell moulds used for casting are commonly called ‘investments’), but they exist here as if in reverse, in a strange, jumbled half-life.'  <div class="credits_top" >Sarah Kelleher, Art Historian & Curator Pluck Projects 2016</div> 
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              <div class="comission"> First shown at UNO Gallery in New Orleans as part of Culture Ireland's I AM Ireland Centenary Program in 2016. <a href="text/ANVP/ANVP_2016.html" style="border-bottom:1px solid #000000;" target="_blank">Exhibition Publication</a></div><br>
               <div class="comission">Please contact the Artist to view the complete film.</div> </div>
                          
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            <li><a href="#horizontal"><img src="img/twine1.jpg" class="horizontal" /></a><div class="label_text"><p><i>Two balls of twine for Barry Flanagan</i>, Bronze unique casting, non-edition 1/1, packing felt, perspex, galvanized steel, 2001-16</p></div></li>
            <li><a href="#horizontal"><img src="img/twine2.jpg" class="horizontal" /></a><div class="label_text"><p><i>Two balls of twine for Barry Flanagan</i>, Bronze unique casting, non-edition 1/1, packing felt, perspex, galvanized steel, 2001-16 (detail)</p></div></li>
              
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        <div class="ptile"><h3>two balls of twine for barry flanagan | 2001-16</h3> This work, reworked over numerous years,  aims to reference some early modernist ephemeral rope works and sculptures works by the late Barry Flanagan. </div></div>
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              <li><a href="#horizontal"><img src="img/analogue1.jpg" class="horizontal" /></a><div class="label_text"><p><i>Cups Series 1</i>, unique castings, non-edition, 2015</p></div></li>
              <li><a href="#horizontal"><img src="img/analogue2.jpg" class="horizontal" /></a><div class="label_text"><p><i>The thin end of the wedge</i>, bronze, unique casting, non-edition 1/1 -2016</p></div></li>
              <li><a href="#horizontal"><img src="img/analogue3.jpg" class="horizontal" /></a><div class="label_text"><p><i>Hand-made</i>, bronze, unique casting, non-edition 1/1 -2016</p></div></li>
              <li><a href="#horizontal"><img src="img/analogue4.jpg" class="horizontal" /></a><div class="label_text"><p><i>The one we watched over & over...</i>, bronze, unique casting, non-edition 1/1 -2016</p></div></li>
              <li><a href="#horizontal"><img src="img/analogue5.jpg" class="horizontal" /></a><div class="label_text"><p><i>Mixtape</i>, bronze, unique casting, non-edition 1/1 -2016</p></div></li>
              
              
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        <div class="ptile"> <h3>the analogue series | 2016</h3> These sculptures take the remnants of the casting process as a part of the work, leaving on the runners and risers, which would normally be discarded. To anyone who knows how to make castings the structure and shape of the forms is obvious- they bear the signs of their making- to the untrained eye they are objects of the past- analogue tapes, cassettes and cups held up trophy-like by rods. There is a contradiction between the nod to preparatory processes and unfinished objects, and the preciousness by which these sculptures are finished, treated and displayed.</div> 
            
         
        
       
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              <li><a href="#horizontal"><img src="img/aloft2.jpg" class="horizontal" /></a><div class="label_text"><p><i>Aloft on a Rock</i>, cast mashed potato multiple, MDF, HD Digital Film & Audio soundtrack,  2012/2016</p></div></li>
              <li><a href="#horizontal"><img src="img/aloft1.jpg" class="horizontal" /></a><div class="label_text"><p><i>Aloft on a Rock</i>, cast mashed potato multiple, MDF, HD Digital Film & Audio soundtrack,  2012/2016</p></div></li>
              <li><a href="#horizontal"><img src="img/aloft4.jpg" class="horizontal" /></a><div class="label_text"><p><i>Aloft on a Rock</i>, cast mashed potato multiple, MDF, HD Digital Film & Audio soundtrack,  2012/2016</p></div></li>
              
              
              
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            <div class="ptile"><h3>aloft on a rock | 2016</h3>This two-part work <i>Aloft on a rock, (Devil’s Tower)’</i> draws from the anthropological history and popular culture of the USA, referencing well known imagery from the Hollywood film industry in order to explore the supernatural and superstition through science fiction. In a nod to the seminal scene from <i>Close Encounters of the Third Kind</i>, 1977, this work aligns the landscapes of Ireland and the USA via the use of the potato. It alludes to shared cultural history forged not only through displacement and immigration but through popular culture. The film element was filmed on location at Devils Tower National Park & monument in Wyoming in 2012, during production of first <i>HYBRID</i> exhibition held at Redline Contemporary in Denver Colorado.</div> <div class="line" ><hr></div><div class="ptile"><div class="comission">Commissioned for <i>HYBRID IRELAND</i>, Regional Cultural Centre, Donegal, 2016. Curated by Rian Kerrane.</div></div>
            
            
        
                        
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              <li><a href="#horizontal"><img src="img/portrait1.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Portrait of Simon English by Stanley English</i>, Series 1-18 Plate-lithograph / Chine-collé/BFK 
Edition 1/3,  2016</p></div></li>
              <li><a href="#horizontal"><img src="img/portrait2.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Portrait of Simon English by Stanley English</i>, Series 1-18 Plate-lithograph / Chine-collé/BFK 
Edition 1/3,  2016</p></div></li>
              <li><a href="#horizontal"><img src="img/portrait3.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Portrait of Simon English by Stanley English</i>, Series 1-18 Plate-lithograph / Chine-collé/BFK 
Edition 1/3,  2016</p></div></li>
              <li><a href="#horizontal"><img src="img/portrait4.jpg" class="horizontal" /></a><div class="label_text"><p>Irish artist Simon English as a young boy, modeled by his father Stanley English,  1960?</p></div></li>
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        <div class="ptile"><h3>the portrait of simon english by stanley english | 2016 </h3>This series of prints documents the process of mould making a clay head portrait of the established Irish artist Simon English as a young boy, which was modeled by his father Stanley English in the 1960’s. The work aims to explore the process that simultaneously preserved and destroyed the original clay head/artwork. 
       
           
            
                        
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              <li><a href="#horizontal"><img src="img/celebration1.jpg" class="horizontal" /></a><div class="label_text"><p><i>In Celebration of Two Non-events</i>, two-part sculptural installation, cast iron, found furniture, digital sound & motion sensors, 2011</p></div></li>
              <li><a href="#horizontal"><img src="img/celebration2.jpg" class="horizontal" /></a><div class="label_text"><p><i>In Celebration of Two Non-events</i>, two-part sculptural installation, cast iron, found furniture, digital sound & motion sensors, 2011</p></div></li>
              <li><a href="#horizontal"><img src="img/celebration4.jpg" class="horizontal" /></a><div class="label_text"><p><i>In Celebration of Two Non-events</i>, two-part sculptural installation, cast iron, found furniture, digital sound & motion sensors, 2011</p></div></li>
              <li><a href="#horizontal"><img src="img/celebration5.jpg" class="horizontal" /></a><div class="label_text"><p><i>In Celebration of Two Non-events</i>, two-part sculptural installation, cast iron, found furniture, digital sound & motion sensors, 2011</p></div></li>
              <li><a href="#horizontal"><img src="img/celebration6.jpg" class="horizontal" /></a><div class="label_text"><p><i>In Celebration of Two Non-events</i>, two-part sculptural installation, cast iron, found furniture, digital sound & motion sensors, 2011</p></div></li>
               <li><a href="#horizontal"><img src="img/celebration7.jpg" class="horizontal" /></a><div class="label_text"><p><i>In Celebration of Two Non-events</i>, two-part sculptural installation, cast iron, found furniture, digital sound & motion sensors, 2011</p></div></li>
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            <div class="ptile"><h3>in celebration of two non-events | 2011</h3>This two-part sculptural sound installation utilised a range of found materials, from the Former Fort Camden site at the entrance to Cork Harbor and was located in two rooms of the casemate buildings in the Fort Camden barracks.  Fort Camden was never subjected to military attack and so this work comments on the function of this site by focusing on the plate as a symbol of domesticity and routine meal times, as a less dramatic aspect of military life.  The plate works in both rooms were made by collecting scraps of cast iron from the former guttering, railings, and balustrades on the site.In one of the rooms a series of iron plates are placed on a plate rack from the military kitchens, these plates are marked with the coordinates of the place in which the iron, from which they are cast, was found. This work was accompanied by a motion sensor which triggers the sound of rattling plates when the room is entered. The second room is made up of a series of commemorative plates which display the crescent of king George III, transferred from a canon found on site. These plates stand on wooden stands made from former floorboards of the case mate buildings. They stand on pastry tables from the barracks kitchens. This work was also accompanied by a motion sensor which triggers marching sounds and calls upon entry.</div> <div class="line" ><hr></div><div class="ptile"><div class="comission">Commissioned by Cork County Council Arts Office</div></div>
            
                  
       
            
            
                        
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              <li><a href="#horizontal"><img src="img/BA1.jpg" class="horizontal" /></a><div class="label_text"><p><i>Bill & Annie</i>, dual HD Digital Film/Projection, 42 mins, 2013</p></div></li>
              <li><a href="#horizontal"><img src="img/BA2.jpg" class="horizontal" /></a><div class="label_text"><p><i>Bill & Annie</i>, dual HD Digital Film/Projection, 42 mins, 2013</p></div></li>
              <li><a href="#horizontal"><img src="img/BA3.jpg" class="horizontal" /></a><div class="label_text"><p><i>Bill & Annie</i>, dual HD Digital Film/Projection, 42 mins, 2013</p></div></li>
              </ul>
       </div>
             
            
            <div class="ptile">  <h3>bill & annie | 2013</h3>This split-screen video explores the notoriety of some of America’s most infamous early western frontier men & women examining their mythic status and legacy.  Buffalo Bill & Annie Oakley remain to this day, two of the most well known names and faces of what may be considered the old American (wild) west. In these intimate films William F Cody, ‘Buffalo Bill’ & his long time friend and colleague Annie Oakley (real name Phoebe Ann Mosses), are played by a husband and wife team of Colorado-based impersonators. The video documents an intimate lament from both of the characters who reflect on their early lives and the cost that their notoriety and infamy had on their personal lives.</div><div class="line" ><hr></div><div class="ptile"><div class="comission">This work was filmed on location at the national Historic landmark of the Buckhorn Exchange in Denver. This work was commissioned By REDLINE Contemporary in Denver Colorado for the 2013 International HYBRID exhibition curated by Rian Kerrane.</div>
            <br>
            <div class="comission">Please contact the Artist to view the 30min full HD work.</div></div>
                   
        </div>
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           <div class="ptile"><div class="credits"><i>The Essence of Taste</i>, cast iron & bronze, electrical motors, compressed air, actuators, sprayer/atomiser,
soil & compost, stainless steel and filtrated asparagus essence and ethanol, 2013 (video demonstration)</div></div> 
            
            
        <div class="skitter skitter-small with-dots">
          <ul>
              <li><a href="#horizontal"><img src="img/essence2.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Essence of Taste</i>, cast iron & bronze, electrical motors, compressed air, actuators, sprayer/atomiser,
soil & compost, stainless steel and filtrated asparagus essence and ethanol, 2013</p></div></li>
              <li><a href="#horizontal"><img src="img/essence3.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Essence of Taste</i>, cast iron & bronze, electrical motors, compressed air, actuators, sprayer/atomiser,
soil & compost, stainless steel and filtrated asparagus essence and ethanol, 2013</p></div></li>
              <li><a href="#horizontal"><img src="img/essence4.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Essence of Taste</i>, cast iron & bronze, electrical motors, compressed air, actuators, sprayer/atomiser,
soil & compost, stainless steel and filtrated asparagus essence and ethanol, 2013</p></div></li>
               <li><a href="#horizontal"><img src="img/essence5.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Essence of Taste</i>, cast iron & bronze, electrical motors, compressed air, actuators, sprayer/atomiser,
soil & compost, stainless steel and filtrated asparagus essence and ethanol, 2013</p></div></li>
              
              
              
          </ul>
       </div>
              
            
            <div class="ptile"> <h3>the essence of taste | 2013</h3>The sculptural element of this work is composed of a circular drill of cast iron and cast bronze asparagus planted in soil, combined with a kinetic, olfactive element that utilises scientific processes and distillation methods to examine bodily processes. At the center of the round of the ‘growing’ asparagus is a motorised, rotating, spraying device which intermittently sprays the circular drill of cast asparagus with the essence of filtrated ‘asparagus urine’ carried by ethanol. This essence was obtained by collecting amounts of urine form the human body after eating small amounts of asparagus. This was distilled and concentrated with the assistance of the chemistry department of University College Cork, Ireland. The work makes reference to ‘waste’ in terms of both bodily waste and wasteful financial and economical food practices.</div>
            
                   
            
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</section>
	
	
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     <div class="container"><h2>site-specific work</h2>
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       <div class="video_wrap"> 
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        </div> 
		<div class="ptile"><div class="credits"><i>The Tower</i>, mirror polished 316 stainless steel, 11.5 metres, 2016/17 (video documentation from the day of install)</div></div> 
		
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          <ul>
            <li><a href="#horizontal"><img src="img/tower2.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Tower</i>, mirror polished 316 stainless steel, 11.5 metres,  2016/17</p></div></li>
            <li><a href="#horizontal"><img src="img/tower3.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Tower</i>, mirror polished 316 stainless steel, 11.5 metres,  2016/17</p></div></li>
                     
          </ul>
       </div>
     
                
            
            <div class="ptile" > <h3>the tower | 2017</h3> This major large-scale sculptural work was made in response to both the River Backwater and the Fermoy Scheme for flood defense. The commissioning process was managed by the National Sculpture Factory in Cork and the work was completed and installed in 2017. </div> <div class="line" ><hr> </div><div class="ptile" ><div class="comission">Commissioned by the Office of Public Works in partnership with Cork County Council.
            </div></div>  </div>
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          <ul>
            <li><a href="#horizontal"><img src="img/myler1.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Myler Fields</i>, live performance & HD film work 3.35 mins & cast bronze sculptural multiples, 2014</p></div></li>
            <li><a href="#horizontal"><img src="img/myler2.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Myler Fields</i>, live performance & HD film work 3.35 mins & cast bronze sculptural multiples, 2014</p></div></li>
            <li><a href="#horizontal"><img src="img/myler3.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Myler Fields</i>, live performance & HD film work 3.35 mins & cast bronze sculptural multiples, 2014</p></div></li>
            <li><a href="#horizontal"><img src="img/myler4.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Myler Fields</i>, live performance & HD film work 3.35 mins & cast bronze sculptural multiples, 2014</p></div></li>
            <li><a href="#horizontal"><img src="img/myler5.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Myler Fields</i>, live performance & HD film work 3.35 mins & cast bronze sculptural multiples, 2014</p></div></li>
            <li><a href="#horizontal"><img src="img/myler6.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Myler Fields</i>, live performance & HD film work 3.35 mins & cast bronze sculptural multiples, 2014</p></div></li>
            <li><a href="#horizontal"><img src="img/myler7.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Myler Fields</i>, live performance & HD film work 3.35 mins & cast bronze sculptural multiples, 2014</p></div></li>
              
              
          </ul>
       </div>
     
            
        <div class="ptile"> <h3>the myler fields  | 2014</h3> This community-engaged artwork formed a community choir open to all residents of the Gort Mhaoilir housing estate in Athenry. After numerous weeks of rehearsals the Gort Mhaoilir resident’s choir performed in the green area of their estate which was documented. The choir performs the song <i>The Fields of Athenry</i> in this work which investigates both the place on which the song is based, and its common misconception. (It is a recently composed ballad that is often assumed to be from the mid 19th Century). As well as having an ambiguous temporality the song has also transcended its spatial references becoming an anthem of the sports terraces in Ireland and further afield. Furthermore across the globe it has become a symbol of Irish identity. An additional part of the project was a small permanent sculpture trail that is composed of bronze/cast objects donated and created by children from the community. 
           </div>  <div class="line" ><hr> </div>
            
            <div class="ptile"><div class="comission">Commissioned by Galway County Council Arts Office.
Please contact the Artist or Galway County Council Arts Office to view a full version of the HD film work. <a href="text/myler1/myler1.html" style="border-bottom:1px solid #000000;" target="_blank">Exhibition Invite</a> <a href="text/myler2/myler2.html" style="border-bottom:1px solid #000000;" target="_blank">Exhibition Brochure</a></div></div> 
            
         
      
       
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		…

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          <ul>
            <li><a href="#horizontal"><img src="img/attempt11_1.jpg" class="horizontal" /></a><div class="label_text"><p><i>In an Attempt to Find the Right Words</i>, 2567 cast bronze pencils, 2011</p></div></li>
            <li><a href="#horizontal"><img src="img/attempt11_2.jpg" class="horizontal" /></a><div class="label_text"><p><i>In an Attempt to Find the Right Words</i>, 2567 cast bronze pencils, 2011</p></div></li>
            <li><a href="#horizontal"><img src="img/attempt11_3.jpg" class="horizontal" /></a><div class="label_text"><p><i>In an Attempt to Find the Right Words</i>, 2567 cast bronze pencils, 2011</p></div></li>
            <li><a href="#horizontal"><img src="img/attempt11_4.jpg" class="horizontal" /></a><div class="label_text"><p><i>In an Attempt to Find the Right Words</i>, 2567 cast bronze pencils, 2011</p></div></li>
            
          </ul>
       </div>
      
        
            <div class="ptile"><h3>in an attempt to find the right words | 2011</h3>This work consists of over 2500 individually cast bronze pencils. For this public artwork members of the public were asked to donate ‘significant’ pencils for casting and inclusion in the final work. Many of the pencils donated, by writers, artists and architects in particular, were accompanied by extraordinary and poignant stories which were exhibited alongside the work, re imagining the pencil as a type of talisman or carrier of personal memory.</div> <div class="line" ><hr> </div>
<div class="ptile"><div class="comission">Commissioned by Mayo County Council for Áras Inis Gluaire (The Erris Arts Centre)</div></div>
      
        
                        
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          <ul>
            <li><a href="#horizontal"><img src="img/unity1.jpg" class="horizontal" /></a><div class="label_text"><p><i>Unity Through Design</i>, mirror polished stainless steel, 2015</p></div></li>
            <li><a href="#horizontal"><img src="img/unity2.jpg" class="horizontal" /></a><div class="label_text"><p><i>Unity Through Design</i>, mirror polished stainless steel, 2015</p></div></li>
              <li><a href="#horizontal"><img src="img/unity3.jpg" class="horizontal" /></a><div class="label_text"><p><i>Unity Through Design</i>, mirror polished stainless steel, 2015</p></div></li>
              <li><a href="#horizontal"><img src="img/unity4.jpg" class="horizontal" /></a><div class="label_text"><p><i>Unity Through Design</i>, mirror polished stainless steel, 2015</p></div></li>
                     
          </ul>
       </div>
     
         
        
        <div class="ptile"><h3>unity through design | 2015</h3>This 5-metre stainless steel sculpture is installed on the grounds of the Dundalk Institute of Technology Campus in County Louth. The work responds to the cross boarder peace and reconciliation intentions outlined in the building peace through arts program by the ACNI.</div>
         <div class="line" ><hr> </div>
        <div class="ptile"> <div class="comission">Commissioned & Funded by the Arts Council of Northern Ireland: ‘Building Peace through the Arts’, Re-imaginig communities program the European Union’s Programme for Peace and Reconciliation (PEACE III) managed by the Special EU Programmes Body and the International Fund for Ireland. </div> </div></div>
		…
	
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          <ul>
            <li><a href="#horizontal"><img src="img/same_day0.jpg" class="horizontal" /></a><div class="label_text"><p><i>Never the Same Day</i>, copper, photo-riston etchings, wooden framing, glass, 316 mirror polished stainless steel & computer controlled LED lighting, 2013</p></div></li>
            <li><a href="#horizontal"><img src="img/same_day1.jpg" class="horizontal" /></a><div class="label_text"><p><i>Never the Same Day</i>, copper, photo-riston etchings, wooden framing, glass, 316 mirror polished stainless steel & computer controlled LED lighting, 2013</p></div></li>
            <li><a href="#horizontal"><img src="img/same_day2.jpg" class="horizontal" /></a><div class="label_text"><p><i>Never the Same Day</i>, copper, photo-riston etchings, wooden framing, glass, 316 mirror polished stainless steel & computer controlled LED lighting, 2013</p></div></li>
            <li><a href="#horizontal"><img src="img/same_day3.jpg" class="horizontal" /></a><div class="label_text"><p><i>Never the Same Day</i>, copper, photo-riston etchings, wooden framing, glass, 316 mirror polished stainless steel & computer controlled LED lighting, 2013</p></div></li>
            <li><a href="#horizontal"><img src="img/same_day3a.jpg" class="horizontal" /></a><div class="label_text"><p><i>Never the Same Day</i>, copper, photo-riston etchings, wooden framing, glass, 316 mirror polished stainless steel & computer controlled LED lighting, 2013</p></div></li>
            <li><a href="#horizontal"><img src="img/same_day4.jpg" class="horizontal" /></a><div class="label_text"><p><i>Never the Same Day</i>, copper, photo-riston etchings, wooden framing, glass, 316 mirror polished stainless steel & computer controlled LED lighting, 2013</p></div></li>
            <li><a href="#horizontal"><img src="img/same_day4a.jpg" class="horizontal" /></a><div class="label_text"><p><i>Never the Same Day</i>, copper, photo-riston etchings, wooden framing, glass, 316 mirror polished stainless steel & computer controlled LED lighting, 2013</p></div></li>
            <li><a href="#horizontal"><img src="img/same_day7.jpg" class="horizontal" /></a><div class="label_text"><p><i>Never the Same Day</i>, copper, photo-riston etchings, wooden framing, glass, 316 mirror polished stainless steel & computer controlled LED lighting, 2013</p></div></li>
            
          </ul>
       </div>
      
        <div class="ptile"><h3>never the same day  | 2013</h3>This public artwork is comprised of  50 photo etchings of images that relate to the everyday life and activities of Ardscoil Ris. The second work is a sculptural work, located opposite the array of prints on the left hand sidewall of the reception, being comprised of the same 50 copper plates that made the students prints and that have now been folded into replica sculptures of paper airplanes. The external work is located at the far end of the newly created Ardscoil Ris courtyard. This work is comprised of there larges scale stainless steel sculptural replicas of paper airplanes.</div>
<div class="line" ><hr> </div>
            <div class="ptile"><div class="comission">Commissioned by Ardscoil Ris & Healy & Partners Architects.
            </div></div>
       
           
            
                        
        </div>
	…
	
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</section>
	
<!-- WORK SECTION -->
<section id="archive">
     <div class="container"><h2>archive</h2>
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          <ul>
              <li><a href="#horizontal"><img src="img/words2.jpg" class="horizontal" /></a><div class="label_text"><p><i>In an Attempt to Find the Right Words</i>, 250 cast bronze pencils, motion sensors & digital sound component</p></div></li>
              <li><a href="#horizontal"><img src="img/words4.jpg" class="horizontal" /></a><div class="label_text"><p><i>In an Attempt to Find the Right Words</i>, 250 cast bronze pencils, motion sensors & digital sound component</p></div></li>
              <li><a href="#horizontal"><img src="img/words3.jpg" class="horizontal" /></a><div class="label_text"><p><i>In an Attempt to Find the Right Words</i>, 250 cast bronze pencils, motion sensors & digital sound component</p></div></li>
                                  
          </ul>
       </div>
      
        
            <div class="ptile"><h3>in an attempt to find the right words  | 2008</h3>This work consists of multiple clusters of bronze pencils launched into the wall. The pencils are accompanied by the sound of frantic scribbling which emanates from the surface of the wall, evoking both obsessive creativity and frustration. The pencils cast shadows on the wall, lines and traces which hint at the function of these mark making tools.</div>
            
                  
       
            
            
                        
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          <ul>
            <li><a href="#horizontal"><img src="img/location1.jpg" class="horizontal" /></a><div class="label_text"><p><i>Location, Location, Location</i>, 3 x HD digital films (various durations) 2007/08</p></div></li>
              <li><a href="#horizontal"><img src="img/location2.jpg" class="horizontal" /></a><div class="label_text"><p><i>Location, Location, Location</i>, 3 x HD digital films (various durations) 2007/08</p></div></li>
              <li><a href="#horizontal"><img src="img/location3.jpg" class="horizontal" /></a><div class="label_text"><p><i>Location, Location, Location</i>, 3 x HD digital films (various durations) 2007/08</p></div></li>
                     
          </ul>
       </div>
      </div> 
        
            <div class="ptile"><h3>location, location, location | 2007/8</h3><i>location, location, location</i>  juxtaposes three scenes which are the sites of past conflicts now existing as tourist attractions. The first scene documents a tour around a Titan 2 Nuclear Missile Silo in Southern Arizona. Scene two depicts Al Capone’s cell in The Philadelphia State Penitentiary. Scene three depicts the entrance to Monument Valley, Arizona. This is a site of grave and fabricated fictional conflicts as communicated to mass audiences in heroic western films in the 1950s & 60s by celebrated Hollywood directors, such as John Ford.</div>
            
            
        
                        
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            <li><a href="#horizontal"><img src="img/bliss1.jpg" class="horizontal" /></a><div class="label_text"><p><i>A Possible Brutal Solution to One of Ever Increasing Problems</i>, 12 x cast bronze flyswats, cellulose spray paint, digital sound and motion sensors, 2008</p></div></li>
            <li><a href="#horizontal"><img src="img/bliss2.jpg" class="horizontal" /></a><div class="label_text"><p><i>A Possible Brutal Solution to One of Ever Increasing Problems</i>, 12 x cast bronze flyswats, cellulose spray paint, digital sound and motion sensors, 2008</p></div></li>
                                  
          </ul>
       </div>
      
        
             <div class="ptile"><h3>a possible brutal solution to one of ever increasing problems  | 2008</h3>This installation comprised of bronze fly swats and insect sounds aims to explore the increasing ecological problem of insect migration and erratic hibernation & pollination patterns as a possible result of global warming and the life cycles of insects.</div>
                 <div class="line" ><hr> </div>
                 <div class="ptile"><div class="comission">Commissioned for <i>Global Warming at the ICE Box</i> exhibition at the Philadelphia Museum of Art, 2008. With thanks to Leslie Kaufman at Philadelphia Sculptors & Adelina Vlas at The Philadelphia Museum of Art.</div> <div class="credits">
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        </div> 
            
           <div class="ptile"><div class="credits"><i>The Rocky Mountain Flyer</i>, HD digital film 3.35 mins. & found cast iron, 2008/09 (video excerpt)</div></div> 
            
           
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          <ul>
              <li><a href="#horizontal"><img src="img/flyer2.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Rocky Mountain Flyer</i>, HD digital film 3.35 mins. & found cast iron, 2008/09</p></div></li>
              <li><a href="#horizontal"><img src="img/flyer1.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Rocky Mountain Flyer</i>, HD digital film 3.35 mins. & found cast iron, 2008/09</p></div></li>
              <li><a href="#horizontal"><img src="img/flyer3.jpg" class="horizontal" /></a><div class="label_text"><p><i>The Rocky Mountain Flyer</i>, HD digital film 3.35 mins. & found cast iron, 2008/09</p></div></li>
            
             
              
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            <div class="ptile">  <h3>the rocky mountain flyer | 2008/09</h3><i>The Rocky Mountain Flyer</i> charts the tragicomic journey of a polystyrene model jet plane as it attempts to cross the Colorado Rocky Mountains. The film is accompanied by a replica plane made of recycled scrap iron, found and collected from numerous locations in Denver, Colarado, USA.</div>
             <div class="line" ><hr> </div>
             <div class="ptile"><div class="comission">With Thanks to Rian Kerrane & The University of Colorado, Denver</div>
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        </div>
		 
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              <li><a href="#horizontal"><img src="img/looking4.jpg" class="horizontal" /></a><div class="label_text"><p><i>Looking Into the Light of Dark Matters</i>, cast wax, recycled aviation oil, bronze, welded steel, digital video & sound 2010</p></div></li>
              <li><a href="#horizontal"><img src="img/looking3.jpg" class="horizontal" /></a><div class="label_text"><p><i>Looking Into the Light of Dark Matters</i>, cast wax, recycled aviation oil, bronze, welded steel, digital video & sound 2010</p></div></li>
              <li><a href="#horizontal"><img src="img/looking1.jpg" class="horizontal" /></a><div class="label_text"><p><i>Looking Into the Light of Dark Matters</i>, cast wax, recycled aviation oil, bronze, welded steel, digital video & sound 2010</p></div></li>
              <li><a href="#horizontal"><img src="img/looking2.jpg" class="horizontal" /></a><div class="label_text"><p><i>Looking Into the Light of Dark Matters</i>, cast wax, recycled aviation oil, bronze, welded steel, digital video & sound 2010</p></div></li>
             
             
              
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       </div>
             
            
            <div class="ptile"> <h3>looking into the light of dark matters | 2010</h3>This installation is comprised of wax and bronze replicas of polystyrene planes accompanied by digital projections and sound. These planes are each positioned on a steel structure reminiscent of a pylon or an oil derrick. The pylons suspend the planes at various heights throughout the space. The wax planes contain recycled aviation oil, evoking environmental issues and industry.</div>
            
                   
            
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		…
	
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  • 271the
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  • 82and
  • 71in
  • 56a
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Keywords

Word Density

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Word Weights

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